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Friday, April 3, 2026

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Fraternity

Fraternity

Fraternity was an Australian rock band that originated in Sydney in 1970 before moving to Adelaide in 1971. The group included several notable former members, such as lead vocalists Bon Scott (who later joined AC/DC) and John Swan (who would embark on a solo career), as well as Swan's brother, Jimmy Barnes. Fraternity's most significant local success came with their cover of "Seasons of Change," which reached No. 1 in Adelaide, although nationally it was eclipsed by the original version by Blackfeather.

Managed by Hamish Henry and the Grape Organisation, Fraternity won the 1971 Hoadley's Battle of the Sounds, earning a trip to London as the first prize. Over the years, the band underwent several line-up changes and briefly adopted the name Fang during their time in the UK, before reverting to Fraternity, then becoming Some Dream, and ultimately concluding as Mickey Finn in 1981.

The band was formed in early 1970 by four ex-members of the recently disbanded Levi Smith's Clefs: John Bisset on keyboards, Tony Buettel on drums, Bruce Howe on bass guitar and vocals, and Mick Jurd on lead guitar. They released their debut single, "Why Did It Have to Be Me?" in October 1970.

In search of a lead vocalist, Howe reached out to Bon Scott, who had recently parted ways with The Valentines. Fraternity signed with Nova Agencies, which also managed Blackfeather, and their guitarist John Robinson often jammed with them. Early performances took place at Jonathon's Disco in Sydney. Scott contributed recorder to Blackfeather's track "Seasons of Change" for their debut album, At the Mountains of Madness. After Buettel left, John Freeman (also from Levi Smith's Clefs) joined on drums, and the band recorded their debut album, Livestock, produced by Doug Ashdown and Jim Stewart.

By early 1971, when Livestock was released, Fraternity had relocated to a farm in Adelaide. They signed with manager Hamish Henry and released a new single, "Livestock," in January, followed by their cover of "Seasons of Change" in March. The latter achieved notable success, reaching No. 1 in Adelaide and No. 51 on the Go-Set National Top 60. In response to Fraternity's success, Blackfeather released their own version, which peaked at No. 15. John Ayers (ex-No Sweat) joined the band on harmonica and vocals in May.

Fraternity's victory in the Hoadley's Battle of the Sounds, a national competition showcasing the best bands from each state, was a significant milestone, with the prize including a trip to London. Scott's former band, The Valentines, had been a finalist in the same competition two years earlier. By September, the band was being hailed as "The Next Big Band" by the teen magazine Go-Set. Sam See (from Sherbet and The Flying Circus) joined in September, contributing piano and slide guitar.

They recorded their second album, Flaming Galah, produced by Grape Productions, which was released in April 1972. At this time, the band had traveled to London to pursue opportunities in the UK music scene. Bisset eventually left to return to Australia, followed by See, who rejoined The Flying Circus, now based in Canada. In early 1973, Fraternity changed their name to Fang, but the band began to disband, with members gradually returning to Australia by the end of the year. Some of them participated in the loosely knit Mount Lofty Rangers project alongside members of Headband.

Scott recorded a few tracks with Mount Lofty Rangers before suffering serious injuries in a motorcycle accident in early 1974. After recovering, he joined the heavy rock band AC/DC in Sydney. Fraternity reformed later that same year, featuring Ayers, Freeman, and Howe, along with Mauri Berg (from Headband), Peter Bersee on violin, and John Swan on lead vocals. Mid-1975 saw Freeman exit the group, and Swan transitioned to drums, with his younger brother, Jimmy Barnes (from Cold Chisel), stepping in as lead vocalist.

By late 1975, the band became known as Some Dream, but Barnes returned to Cold Chisel shortly after. Swan resumed lead vocals before departing in 1976 to pursue a solo career under the name Swanee. In 1978, Some Dream was rebranded as Mickey Finn, consisting of Ayers, Berg, and Howe. By 1980, Freeman had rejoined, and they added second guitarist Stan Koritni. Mickey Finn released a self-titled album under the Eureka label, along with two singles in 1980 and 1981, before ultimately disbanding. As of today, Fraternity continues to be managed by Hamish Henry and The Grape Organisation Pty Ltd.

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On This Day in Music History

Bruce Springsteen Hits Number One with 'Dancing in the Dark' (1985)

On April 3, 1985, Bruce Springsteen reached a milestone in his storied career as his iconic single 'Dancing in the Dark' climbed to number one on the Billboard Hot 100 chart. This track, from his critically acclaimed album 'Born in the U.S.A.,' became an anthem of the 1980s, showcasing Springsteen's knack for blending heartland rock with infectious pop hooks. The song is particularly memorable for its driving rhythm and a standout synth riff that captured audiences around the world.

The 'Born in the U.S.A.' album itself was a commercial juggernaut, selling over 15 million copies in the U.S. alone, making it one of the best-selling albums of all time. Its original vinyl pressing is a coveted piece for collectors, heralded not just for its sound but for the cultural impact it had during a time of economic struggle in America.

'Dancing in the Dark' was not only a chart-topping hit but also a pivotal moment in Springsteen's career. The music video, featuring a young Courteney Cox, catapulted the song into the pop culture stratosphere, earning heavy rotation on MTV, which was essential for a song's success during that era. The performance of 'Dancing in the Dark' on the 'Born in the U.S.A.' tour further solidified Springsteen's reputation as a captivating live performer.

In the years that followed, 'Dancing in the Dark' remains a staple of Springsteen's concerts and a beloved classic among fans. The song and the album it comes from laid the foundation for future generations of artists, blending rock with themes of hope and resilience. Its enduring legacy is a testament to Springsteen's artistry and the cultural relevance of music during the 1980s. As vinyl records see a resurgence in popularity today, many collectors seek out original pressings of 'Born in the U.S.A.' and its hit singles, cementing Springsteen's place in music history.

Rock Bruce Springsteen

Album of the Week

Rock

Highway 61 Revisited (1965)

Bob Dylan
Highway 61 Revisited by Bob Dylan

Released in August 1965, Bob Dylan's 'Highway 61 Revisited' marked a pivotal moment not just in Dylan’s career but in the landscape of popular music. Coming on the heels of his groundbreaking album 'Bringing It All Back Home', this record further solidified Dylan’s transition from folk icon to rock superstar. The album was recorded at Columbia Records' studios in New York City, with Dylan collaborating closely with producer Tom Wilson. Upon its release, 'Highway 61 Revisited' received widespread critical acclaim and commercial success, reaching number 3 on the Billboard charts and influencing countless artists across genres. Musically, the album is noted for its innovative blend of rock, blues, and poetic lyrics, showcasing Dylan's unique storytelling ability. Standout tracks like 'Like a Rolling Stone', often hailed as one of the greatest songs of all time, redefine the boundaries of popular music with its electric sound and incisive lyrics. Another highlight, 'Ballad of a Thin Man', features a haunting and enigmatic narrative that captivates listeners. The title track, 'Highway 61 Revisited', serves as a surreal journey down the iconic highway, merging vivid imagery with a catchy melody. For collectors, the pressing variations of this album are significant. Original pressings from 1965 feature a 6-eye label design, with matrix numbers such as XSM 1240 and XSM 1241 for side A and B respectively. Later reissues and mono versions have their own unique identifiers, which can influence value. The current market for 'Highway 61 Revisited' vinyl ranges from $20 for a well-worn reissue to upwards of $300 for a mint original pressing. Condition is crucial; the album is susceptible to surface noise and skipping, so collectors should seek copies with minimal wear. Collectors are drawn to this album not only for its historical significance but also for its artistic innovation and cultural impact. 'Highway 61 Revisited' remains a cornerstone of any serious Bob Dylan record collection, embodying the spirit of 1960s counterculture and the evolution of rock music.

Standout Tracks:
  • Like a Rolling Stone
  • Ballad of a Thin Man
  • Highway 61 Revisited
Pressing Notes: Look for original 1965 pressings with 6-eye labels and matrix numbers XSM 1240/XSM 1241. Mono versions are also collectible.
Value: $20-$300 Collectibility: High

Vinyl Collector Tip #93

Cleaning

Mastering Vinyl Care for Longevity

Proper vinyl care is crucial not just for preserving sound quality but also for maintaining the value of your collection. Dust, fingerprints, and oils can accumulate on your records, leading to pops, clicks, and ultimately degraded audio fidelity. You should invest in a high-quality carbon fiber brush for surface cleaning, which can effectively remove debris without scratching the vinyl. For deeper cleaning, consider using a dedicated vinyl cleaning solution and microfiber cloth. This method not only enhances sound clarity but can also preserve the value of records worth $100 or more. Regular cleaning can significantly extend the life of your vinyl, ensuring that your investment is safeguarded over the years. Additionally, it's essential to store your records vertically and away from direct sunlight to prevent warping, which can irreparably damage your collection. By prioritizing preservation through meticulous cleaning and proper storage, you ensure that every spin on your turntable is a delightful experience. Remember, a well-cared-for record is not just a joy to listen to but also a smart investment for the future.

Pro Tip: Use a vacuum-based record cleaning machine for the best results in deep cleaning.

Vinyl Market Pulse

↑ Up

Folk Revival Vinyl: Market Trends for 2026

The vinyl market is currently experiencing a significant resurgence in Folk Revival records, with collectors showing heightened interest this year. Original pressings of classic albums by artists like Bob Dylan and Joan Baez have seen price movements that reflect this trend, with some original pressings now valued at $200+, a sharp increase from just $50 last year. The driving forces behind this surge include nostalgia for the 1960s counterculture, recent artist deaths, and the popularity of documentaries highlighting the genre’s impact on music history. Collectors are eager to acquire both vintage pressings and high-quality reissues, making this a ripe opportunity for both buying and selling. Notably, albums by artists like Peter, Paul and Mary and Simon & Garfunkel are flying off the shelves, making them hot picks for investment. If you have any rare pressings of these iconic albums, now is the time to sell, as demand shows no sign of slowing down. Future outlook suggests that prices will continue to rise, fueled by ongoing interest in the Folk Revival genre and its cultural significance. As the vinyl market continues to evolve, keeping an eye on collecting trends will be crucial for savvy investors looking to capitalize on this nostalgic wave.

Hot Artists: Bob Dylan, Joan Baez, Simon & Garfunkel

Genre Spotlight

Electronic

The Essential Guide to Electronic Vinyl Collecting

Electronic music has evolved significantly since its inception in the late 20th century, making electronic vinyl collecting a thrilling pursuit for audiophiles and music enthusiasts alike. The genre originated in the 1950s with experimental sounds, but it exploded into mainstream consciousness during the 1980s, coinciding with the rise of synthesizers and drum machines. The golden era of electronic music spanned the late '70s through the '90s, characterized by the emergence of various sub-genres such as techno, house, ambient, and trance. Key movements like the Chicago House scene and the Detroit Techno revolution laid the foundation for today's electronic music landscape.

When diving into electronic vinyl collecting, there are several essential artists to consider. Kraftwerk, often dubbed the pioneers of electronic music, shaped the genre with their innovative use of technology and sound. Aphex Twin, known for his eclectic style, pushed boundaries and introduced complex rhythms and textures. Daft Punk brought electronic music into the mainstream, blending house with pop sensibilities. Other notable artists include Moby, who infused electronic music with elements of rock and pop, and Boards of Canada, who are celebrated for their ambient soundscapes. Finally, Underworld, best known for their track "Born Slippy," made significant contributions to the electronic scene, especially in the 1990s.

For collectors, there are must-own albums that define electronic music. Kraftwerk's "Trans-Europe Express" (1977) is a seminal work that showcases their pioneering sound. Aphex Twin's "Selected Ambient Works 85-92" (1992) features a range of ambient tracks that are both haunting and beautiful. Daft Punk's "Homework" (1997) revolutionized house music and remains a dancefloor staple. Moby's "Play" (1999) integrated electronic music with blues and gospel influences, becoming a commercial success. Lastly, Boards of Canada's "Music Has the Right to Children" (1998) offers a nostalgic and atmospheric listening experience.

When collecting electronic vinyl, it's essential to pay attention to pressing info, labels, and rare variants. Look for original pressings and limited editions, as these often hold higher value. Labels like Warp, Ninja Tune, and R&S Records are known for their quality releases and often command a premium. Additionally, colored vinyl and picture discs can be more collectible due to their unique aesthetics.

The current market for electronic vinyl is robust, with collectibility rated as high. Prices can range from $20 for more common releases to $500 or more for rare editions or sought-after albums. The demand for electronic records has surged, thanks to the resurgence of vinyl culture, making it an exciting time to start or grow your collection.

Sound characteristics in electronic music vary widely

Featured Rarity

Why This Album Is Worth Thousands

The Freewheelin' Bob Dylan by Bob Dylan (1963)

Released in 1963, 'The Freewheelin' Bob Dylan' is a cornerstone of folk music and a definitive moment in Bob Dylan's career. The album is particularly valuable due to its groundbreaking influence and several notable pressing variants. The first pressing on Columbia Records, featuring the original track listing, including songs like 'Blowin' in the Wind', is a hot item among vinyl collectors. But what truly sets this album apart are the variants—rumor has it, some early pressings mistakenly omitted two tracks, which can fetch upwards of $20,000 at auction.

The original US pressing is distinguished by its vibrant blue label with '360 Sound' on it, while the first pressing also features specific matrix numbers such as XSM-49985-1A on Side 1 and XSM-49986-1A on Side 2, which avid collectors seek. Additionally, the cover art has a notable variant: the early editions feature a photo of Dylan with his then-girlfriend Suze Rotolo, which enthusiasts cherish for its historical significance.

Current market values for this iconic vinyl can range from $150 for worn copies to an impressive $25,000 for mint-condition first pressings with the coveted error. Collectors should closely inspect the deadwax for details and ensure that the vibrant cover art has no significant wear. With its musical legacy and the thrill of the hunt, 'The Freewheelin' Bob Dylan' is a must-have for any serious vinyl collector eager to own a piece of music history.

Current Market Value: $150-$25,000